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THE 360°AI BLOG


Predictive Justice and AI: When Algorithms Enter the Courtroom
Predictive justice covers AI tools that forecast judicial outcomes and reoffending risk. In the US, the COMPAS algorithm was accused of racial bias and later upheld in court under strict limits. In France, the DataJust project was abandoned. The EU AI Act classifies these systems as "high-risk." While AI can streamline civil litigation, using it in criminal justice raises serious questions about transparency, discrimination, and accountability.
Stéphane Guy
Sep 310 min read


AI and Music for 2026–2030: The Shifts That Will Reshape the Industry
Between 2026 and 2030, AI music moves from a legal grey zone to a licensed ecosystem. Goldman Sachs projects $2.1B in direct AI music revenues by 2030. Suno and Udio settled with the major labels. AI integrates into DAWs without replacing artists. Adaptive music explodes. And the core stakes remain legal: who holds rights over what the algorithm creates, and who gets paid for the data that trained it.
Stéphane Guy
Aug 2410 min read


AI Music generators : Complete comparison guide 2026
AI is rewriting music creation. Suno and Udio lead on vocal song generation; AIVA dominates orchestral composition; Soundraw and Mubert serve content creators' needs. Pricing spans from free-with-limits to $250+/month for heavy professional workflows. Rights ownership varies by subscription tier. This guide benchmarks all 7 essential tools so you can match the right one to your project.
Stéphane Guy
May 2711 min read


Creating Music with AI: A Complete Beginner's Guide
Discover how to create music with AI, even without musical knowledge. This complete guide explores AI music generators, walks you through the step-by-step creation process, and addresses current limitations. From platforms like Suno and Udio to legal questions and ethical concerns, learn everything you need to start composing with artificial intelligence. Includes practical tips, FAQ, and realistic expectations about what AI can and cannot achieve in music creation.
Stéphane Guy
Feb 1212 min read
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